Just a quick update on a very successful portrait drawing workshop at Alfred East Gallery https://www.kettering.gov.uk/artworkshops . This was a group of varying abilities who produced some great work. What was particularly satisfying was to see everybody’s work develop. Moreover, to see students with very little drawing experience really get to grips with developing a portrait was very rewarding.
In the same vein as my other portrait workshops https://www.cordellgarfield.com/workshops/ the portrait drawing workshop set out to really help beginners. Above all portrait drawing and its anatomy are difficult to master and I tried to simplify the process. We approached the drawing through understanding the landmarks of the face. This could be the position of the eyes, distances between the eyes, nose and mouth and so on.
I wanted to give a big shout out to the Alfred East Gallery following the workshop. The Alfred East Gallery hosts a range of art based workshops over the year with something for everyone, and I would recommend keeping an eye on what’s available. I will be looking to run another workshop at Alfred East Gallery in the future, but I would recommend checking out other courses.
It’s no secret that I’ve always been a strong supporter of local art events in Northamptonshire. As a result I will be showing my work in the 43rd Alderton Art Festival. The festival held over Saturday 31st August and Sunday 1st September as always will host an exhibition and sale of paintings. Furthermore, there are also craft stalls, beer tent and musical entertainment.
Set in the picturesque village of Alderton, South Northamptonshire, the festival will feature many high quality local artists. Above all this is a festival that is well supported with something for all art lovers. I will have some original paintings and prints on show for sale. Therefore, for Northamptonshire art lovers the festival is well worth a visit. So come along and have a look.
The Northampton Town & County Art Society is holding it’s latest annual exhibition at the Abington Park Musuem. Set up in 1913 this long standing art society continues to exhibit regularly. Our members and associates continue to produce high quality artwork, making the Society the county’s premier art group.
I’ve exhibited some of my work at these shows https://www.cordellgarfield.com/gallery/landscapes/, and I would recommend a visit to a Society show. A range of the county’s diverse artwork is always on show at the Society’s exhibitions. For instance, you will find original paintings, drawings, printed media or sculptures all produced by society members.
The Abington Park Museum exhibition runs until 20th January 2019. Opening hours are normally 12pm to 4pm and admission is free. You will need to check with the museum for opening days over the Christmas Holiday period (https://www.facebook.com/AbingtonMuseum/).
Even the most skilled artists are always learning, and continue to develop their art. I thought it might be interesting to share my experiences, particularly for those who already draw and paint or those who maybe want to start drawing.
With improving my drawing and painting in mind, I went looking for ways to do this with some focused tuition. Obviously constant practice is essential, but sometimes you want more advice and guidance. My answer was to go to an Atelier workshop.
What is an Atelier? Sounds highbrow and slightly daunting? Not really, an Atelier is a workshop and process where an artist acts as a tutor teaching by example and demonstration to a number of students. The idea behind this is that groups of artists learn a process together, and learn how to use this process utilising their own individual styles. Everybody is different and has a different way of working, but there is a straightforward process on how to learn to see and draw.
Now, for some of you, the above techniques might sound and seem totally alien but you probably use some of them already, and if you want to really develop your drawing I would seriously recommend just finding out more. Ateliers are centuries old, used by the Renaissance painters, Rubens, Van Dyke, Singer Sargent etc, and their methods are tried and tested. They also dispel the myth of the solitary artist struggling away and demonstrate a more inclusive way of learning to draw and paint.