I have just finished the Talented Art Fair 2019 https://www.talentedartfair.com/ so I thought it would be good to give you my take on it. My first impression? It was the sheer volume of visitors to the fair that continued throughout the weekend that impressed me. The flow of visitor traffic did not let up, whether buying or simply browsing. This created a great environment for the artist, and I personally found it stimulating. In my case I did sell some paintings which added to the experience. However, regardless of sales the ability for artists to discuss their work face to face with the general public is important.
For the viewer and buyer the art on display and for sale was diverse and engaging. This was the key to the Talented Art Fair’s success – there was something for everyone. In my case it was also a good opportunity to demonstrate a portrait painting. My demo provided a good insight into how I work and how I produce my art. Judging by the interest, comments and questions I received, viewers were interested and engaged.
What was really noticeable was that the the fair was a friendly event. Both the public and other exhibitors were approachable and supportive. Furthermore, this made the experience of exhibiting a good one. So would I exhibit at the Talented Art Fair again? The answer would be yes. This was a well organised and positive fair. Selling paintings does add to a good experience, but artists can definitely use the fair to improve their exposure. Overall a thumbs up for the Talented Art Fair.
The Talented Art Fair #talentedartfair2019 is one of the most successful independent art fairs in London. This fair has quickly established itself as a platform for emerging and established artists to sell their work. Above all, it is a fair offering affordable work for the general buying public.
For me it is an opportunity to engage and make a connection with art lovers and buyers. Being involved with like-minded artists in a well organised and friendly event is a great way to do this. What better way to display your artwork than in such an environment. For example, in a previous blog post you can read my thoughts on the growing importance of fairs. https://www.cordellgarfield.com/2018/09/25/art-fairs-the-way-forward-to-buying-art/
I will be showing a series of portraits and figurative work, some of which will be musical icons at the Talented Art Fair. Furthermore all of my artwork will be on sale. The fair runs from Friday 1st March to Sunday 3rd March. Hope you can get along to have a look.
My latest oil painting portrait, and this time it’s Lou Reed, New York musician and founder member of the legendary Velvet Underground. Best known in the UK for ‘Walk on the Wild Side’ https://www.youtube.com/watch?v=0KaWSOlASWcand the BBC charity single ‘Perfect Day’ https://www.youtube.com/watch?v=QYEC4TZsy-Y. Lou Reed was a big influence on Bowie as well as a few of the bands who came out of the 70s punk explosion. . He had a track record of drugs and alcohol abuse although cleaned himself up in later years. Irascible and an absolute pain for rock journalists, Lou sung a lot about New York and its misfits. His songs touched on no go subjects junkies, transvestites, rent boys, bisexuality and were often no holds barred and provocative.
I chose this image which was probably around 1974 as it sums up Reed at his peak. This was on the back of his success with ‘Walk on the Wild Side’ in 1972. This was the Glam Rock period and Lou was all shades and leathers. He didn’t quite fit in with his British contemporaries (think Sweet, Slade, Glitter Band etc), being more street and savvy. Bowie (obviously), Roxy Music and Iggy Pop https://www.cordellgarfield.com/2018/08/21/iggy-pop-and-the-stooges-raw-power-1972-acrylic-painting/ were the closest to him in spirit at this time.
I really enjoyed painting this one, and it’s only a small oil painting (12 x 10). The pose is great, not sure if the two fingers were a deliberate set up but it works and fits Reed’s punk image. It really is a picture of its time, not long before punk/new wave hit the streets. For the painting aficionados out there I worked quickly, alla prima with a fairly limited palette.
Top Lou Reed song? Difficult to choose but here are some links to a small selection of some more well known tracks:
The Northampton Town & County Art Society is holding it’s latest annual exhibition at the Abington Park Musuem. Set up in 1913 this long standing art society continues to exhibit regularly. Our members and associates continue to produce high quality artwork, making the Society the county’s premier art group.
I’ve exhibited some of my work at these shows https://www.cordellgarfield.com/gallery/landscapes/, and I would recommend a visit to a Society show. A range of the county’s diverse artwork is always on show at the Society’s exhibitions. For instance, you will find original paintings, drawings, printed media or sculptures all produced by society members.
The Abington Park Museum exhibition runs until 20th January 2019. Opening hours are normally 12pm to 4pm and admission is free. You will need to check with the museum for opening days over the Christmas Holiday period (https://www.facebook.com/AbingtonMuseum/).
I displayed and sold my work at the Abington Park Museum Christmas Fair at the weekend (24th/25th November). It was really good to talk about my paintings and meet some new faces, and even make some sales!
For me it was about showing some of my smaller works and drawings, and engaging with fellow art lovers. However, what was really surprising was the amount of people who came along to the Christmas Fair. For example, over the two days nearly 3,500 people visited all adding to a bustling and lively atmosphere. The fair hosted a range of traders selling gifts, treats, festive foods and drinks including some nice craft beer! There was plenty here for everybody, and the set up throughout the museum on different levels worked really well.
Above all, my thoughts are that the level of support for this locally arranged event is particularly encouraging. May be there might be a case for a local art fair as well?
“The lack of exhibiting space in the county is a worry”. I often hear this from other Northamptonshire artists I meet.
With the temporary closure of the Central Museum and the current state of Northampton town centre in particular, local artists are concerned. Where can we show our work? How can we engage with the county’s art lovers?
However, despite all the current doom and gloom I would like to sing the praises of local outlets and galleries. These are outlets where I have sold paintings, so I have personal experience of their importance. They “fly the flag” for art and paintings in Northamptonshire.
A well established gallery at Thrapston exhibiting original paintings and prints of not only national but local artists as well. The gallery has a good set up supported by framing and painting restoration services as well. Primrose is a strong supporter of local artists, culminating with the annual “Not the Open Studios” exhibition.
Opened in August 2017 at Weedon’s 19th century Royal Ordnance Depot on an impressive historic site overlooking the canal. It is fast establishing itself as an important exhibition space. The gallery has hosted artwork and photographs from local and national artists. It also supports exhibitions by the Northampton Town & County Art Society and the South Northants Open Studio Trail.
Whether it’s paintings, vintage clothing, old vinyls, ceramics or furniture this independent retailer has it. Only open since August 2018 it is located on Northampton’s “hidden gem” St. Giles Street. It has quickly built a reputation as a “must-visit” venue. The works of local artists are shown throughout the store and emporium.
A contemporary art space in the centre of Northampton, and home to my studio. It has an international programme of contemporary art, but also supports local artists through its project space and open studios. The gallery has recently hosted the Northampton Urban Sketchers. ( https://www.facebook.com/events/urban-sketchers-northampton/)
This is only a small sample of current exhibiting space in Northamptonshire. It’s good to see art is alive and kicking in the county.
If I wanted to buy a painting or sculpture at a reasonable price where would I start? I suppose I could visit a gallery or buy on the internet. There is nothing wrong in doing this, the selection on the internet is vast. You can can see websites devoted to all artwork, with both artists and galleries exhibiting their wares. Likewise, a gallery visit can unearth some great art, particularly with limited edition prints. But is that always the way you should buy art? What about the art fair?
The writer Alan Bennett once said:
“The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought unique and particular to you.”
Bennett makes a good point, but not only just for reading. I personally feel paintings and drawings are similar, our emotional response to a painting is why we might buy it. We are often looking for images, colours, designs and subjects that chime with what we like or what we feel. Sometimes a painting can take us back to our childhood, for example a landscape or even sporting or musical icon. Price is a factor, but often we’ll pay a little more for something we like. For me Bennett’s quote holds firm for buying art, it can be emotional.
So can the internet help here? Of course it can, but it operates as a more functional commercial transaction with art. You may read some information on the artist to give you a feel on the artist’s inspiration. But the interaction is obviously at “arm’s length”, and you don’t see the art “in the flesh”. You cannot have the full picture of what drives and inspires the artist on every painting. My view is that the internet is a great way to introduce artists to the buying public. Instagram is a good example of broadening the artist’s network and admirers. On the way the artist may sell some paintings, but there are no guarantees.
Galleries will offer a good compromise on the remoteness of the internet. A good gallery who knows the artist well will know what makes the artist tick. They will be able to provide the buyer with some information on background, inspiration and techniques used. This all helps with the decision on buying, with the bonus of being able to see artwork first hand. But there is something missing in all this interaction – yes that’s right, the artist!
But do you need the artist present in the commercial transaction of buying art? Probably not. If you like a painting for whatever reason, you don’t need the artist present to talk you through why you should buy it. However, in this age of click to buy/Amazon next day delivery maybe things are changing. Whether it’s the artisan, ethical marketplace or craft beers there is a move towards authenticity. More people want to know the origins of what they are buying. This is where the growing number of art fairs fit in.
An art fair is open to the public, a sort of visual emporium with numerous artists displaying their work. Why art fairs are important is that this ‘authenticity’ is on show. In some cases you can see artists working on painting demonstrations, a great way of seeing art in action. Not only can you see the artwork, but you can find out what is the inspiration behind a painting. You can find about the art techniques used and why an artist works in a certain way. Also, so many artists have an interesting story as to how they became an artist as well!
I recommend whether you’re an art buyer or a budding artist looking to exhibit, start with smaller satellite art fairs. There are a huge number running throughout the country. I have visited some of them in preparation for exhibiting my own work. Here are some links to some popular art fairs:
Littered with casualties, early deaths and drug misuse, for many of us that is the story of Rock and Roll. The recent litany of deaths – Bowie, Prince, George Michael and now Aretha Franklin got me thinking. I decided that a death could be sad and unfortunate (Curtis Mayfield), but could also be self inflicted (Brian Jones). But hold on, then there is Iggy Pop!
Iggy follows in the great Keith Richards’ tradition of cocking a snoot at the Grim Reaper. This acrylic painting I produced a while back is based on a series of photographs taken by Mick Rock in 1972. Iggy and his band The Stooges came over to the UK in 1972 to record the classic album Raw Power. Totally iconic and at a time when Iggy was living life to the excess, this image summed up the lot. The album a sort of punk/metal thrash was initially hampered by recording/remixing. CBS drafted in Bowie to remix it adding to its legendary status.
The ‘Godfather of Punk’ always seemed on a path to self-destruction. Consider the facts: excessive drugs and booze, self-mutilation and audience confrontation on stage and an offstage lifestyle of total squalor and degradation. Mental institutions and rehab became a feature of Iggy’s life, particularly in the 70s. Bowie finally got him out and was able to get him performing and recording again. This was just in time for the launch of punk rock, Iggy’s spiritual home.
There are many stories about the Ig, but a couple come to mind. In Detroit at the Stooges last gig in 1974 a gig full of bikers caused mayhem by constantly pelting the band with eggs. Iggy lost it and challenged the audience. The result? A 6 ft plus biker pummelled Iggy (Iggy is 5ft 1in)!
Another bizarre story is after a drug induced night of popping pills Iggy decided to eat a couple of beefburgers. Turning on the gas for the oven and bending down with the burgers he had a seizure with his head stuck in the oven. He couldn’t move and would have gassed himself if it wasn’t for the next-door neighbours smelling the gas. They broke into his house and dragged him out. If he had have died this would have appeared as a really odd Rock and Roll suicide. As Iggy later commented “what would they have made of the beefburgers?”
The game-changer for Iggy was probably Bowie recording China Girl and having a hit with it in 1983. Since this point Iggy’s career has had a more upward trajectory. Whether it’s commercial spin offs from the film Trainspotting, acting, radio work or the Stooges reunion. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. At 71 years old he is now an elder statesman with an almost national treasure status. He’s still worth checking out, his last album Post Pop Depression (2016) stands up pretty well.
It’s a roller-coaster story, but what of the music? Here is a list of some Iggy/Stooges songs with links in no particular order. Have a listen.
I made my annual visit to the National Portrait Gallery to see the BP Portrait Award exhibition 2018, sandwiched between watching England’s surprising progress at the World Cup!
One of the most prestigious portrait painting competitions, the BP Portrait Award has been running since 1980. There’s usually a mix of professional and student artists. So I just thought I’d put in a word for an inspiring exhibition and praise the art of the portrait.
The BP Award is where I go for inspiration and to marvel at the technical skills of the artists involved. I always find portraits that interest me every time I visit. Whether it’s photo realistic painting, paintings with some great inner psychology or simply colour, it’s all here.
So this time I saw great examples of photo realistic painting and some brilliant compositions. It’s not simply about a likeness, but also a mood or feel. Also I love the attention to surroundings and the depiction of props and clothing.
Looking round the exhibition I was drawn to this small portrait entitled ‘Sister’ by American artist Zack Zdrale http://zackzdrale.com/.Why was this? On first viewing it looked a little imposing and the model, Zack’s sister, a little stern with her intense gaze at the viewer. In his commentary Zack stressed that it was his sister’s expression of strength that dictated his painting. May be that’s why my first reaction was how imposing the pose seemed?
However, I think my reaction to the portrait chimed with what Zack set out to achieve. The slashes of light that hit the face and lower part of the neck immediately caught my eye. The strong triangular composition and use of chiaroscuro links in with the strength of the sitter’s gaze. Using a limited palette and with huge swathes of dark paint, my eye was directed to the boldly lit face.
A recent gig to see David Byrne on his ‘American Utopia’ tour at the Birmingham Symphony Hall immediately reminded me of an earlier oil painting I made of the great man. I thought I’d give it an airing and revisit him and his old band, Talking Heads. This image was when he was lead singer with Talking Heads around 1979, and I just had to paint it. It was also about the time they released one of their finest albums ‘Fear of Music’.
On this tour, Byrne himself is in good form, more comfortable in his own skin than ever before. The show, Samuel Beckett minimalism meets London Palladium variety revue, has no drum kits, amps or PA system on view. The band 12 strong, barefooted and in matching suits move around the stage with their instruments strapped to their bodies. Backed by excellent lighting, heavily choreographed and with a quirky upbeat mood throughout, Byrne has deconstructed the modern live performance while at the same time embracing existing modes of stage performance. This is no small feat, and Byrne’s claim that this is his most ambitious tour feels spot on. Here’s a link to a snippet of it https://www.youtube.com/watch?v=-vlNvQkT_c8
This tour follows in the great tradition of David Byrne as art pop rocker, collaborating on films and in theatre. However, there is still the legacy of Talking Heads not only in some of the old songs performed. In the 1970s and 1980s Talking Heads were an intellectual art school dance band. They fused post punk, new wave, krautrock, afro, funk, and an avant-garde sensibility crossing over into pop. Lead singer David Byrne was an anxious, nervous, arty oddball, “borderline Asperger’s” by his own recent admission, but constantly looking to reinvent his music. They produced one of the finest and slightly left field rock concert films in recent history “Stop making sense” https://www.youtube.com/watch?v=sKKgwuAoshA. Give it a look but stick with it.
Whatever your view on the band and their music, it worked and was quirky. Taking the mundane and suburban, Byrne used the classic artifices of juxtaposition and counterpoint in his lyrics to make a point or not. He continued this throughout his career with Talking Heads even when they became commercially successful. Citing life giving air as painful, taking happiness as something mundane or viewing the world from the point of view of a psychopath or urban guerrilla, his take on events was never obvious.
He’s back on tour in the UK in October and November. Enigmatic with a good back catalogue as well as new stuff, I’d recommend trying to catch him.